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ARTG 2180 graphic design methods




Projects
type and image relationship
>>
Create an image and text booklet that creates a visual exploration of information and understanding. Use qualify and expand it's meaning

project 03:
type and image relationship

>> hear - forget
>> see - understand
>>
do - know

REQUIREMENTS

1) 4" x 4" maximum panel area
2) 12 page accordian fold book
3) image as cover
4) Make a clear statement

deliverables:
1 4x4 booklet

>> Hand in all project materials
manilla envelope.
Build and Affix your course label
on the outside of the envelope.

Inspiration and Research:
>> Flash Animation
>> Martin Venezky Interview
>> Johanna Drucker
>> Jack Stauffacher
>> Gail Swanlund
>> Harrell Fletcher
>> Robert Rauschenberg
>> David Foldvari
>> Sabrina Ward Harrison
>> OTTO
>> Peter Arkle
>> Sara Fanelli

 

 

hear see do:
6 spreads and cover

description:
Create a series of spreads that will be bound in book form. Use image and text to visualize a set of transformations in order to create a visual context. Use the relationships and juxtapositions to qualify and expand it's meanings.

objectives:
>> Create an interplay of text, image and form
>> Apply new meaning to the image and type
>> Create a dynamic composition and a supporting narrative
>> Unite an the xerox text and a montage of images to create new interpretation of the quote:

" I hear, I forget; I see, I understand; I do, I know." --Confusious

introduction:
Because of our emersive experiences with text and image we have become accustomed to seeing and working with information. Yet the development of those simple forms presents the challenge. How does one represent an object or thing in it's simplest of form and still have it communicate ideas? The image must visually set a reference. The text must bounce off the image creating a communicative reverberation.

stages:
Phase #1:
Begin by developing a visual/verbal thesis for your interpretation of the quote

You may work from found imagery or from found objects. The idea is to xerox the objects into a strictly black and white rendition. Determine how to best represent the idea utilizing text, images, shapes, and patterns of black and white (no rendering). Remember, it is not just a matter of making something that looks good; it is an experimental communication - give it character, uniqueness and style.

Phase #2: Formal Changes to the icon

Consider the following applications in order to transform the the spreads into a new interpretation:

1. Deconstruction
2. Substitution
3. Abstraction
4. Transformation
5. Distortion
6. Scale
7. Inversion

Phase #3: Combined the Spreads to make sure they flow. Avoid unwanted fractures.

Consider how one idea transitions into the other.

Phase #4: The book is influenced by a narrative, typographic expression and compositional placement.

   
 

E-MAIL

Do you have comments, questions?
E-mail me at rcarter@cs.depaul.edu.




Inspiration and Experimentation


///MINDMURDER is the
online playground of
Manila-based New Media
Designer Alain Coballes
a.k.a. misanthrope.

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CONSEQUENCE OF
THOUGHT Created to explore
the visual possibilities that
could have otherwise been
forgotten.

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LOUNGE72 is a design portal
and ezine of contemporary
graphic design

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